Marius the Epicurean


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The presence of this discourse in Marius, deeply embedded in the text and not formally marked off in any way, implicitly connects Pater's historical fiction set in opulent second-century Rome with the conflict between science and religion in late-Victorian print media. It had, however , initially been written with a view to its serial publication in Macmillan's Magazine. In a letter to the proprietor, Alexander Macmillan, he expresses himself "not surprised that Morley was unable to take my M.

Oliphant and Margaret Veley.

Walter Horatio Pater

Founded in November , Macmillan's was the first of a new, innovatively priced genre of periodicals with which entrepreneurial publishers sought to reach an unprecedentedly large middle-class audience. These so-called "shilling monthlies" attempted to appeal to the widest possible range of readers, from both sexes as well as across generations , by combining high quality nonfictional essays with the most fashionable forms of fictional writing.

Although the magazine was imbued with the Broad Church Liberalism of Frederick Denison Maurice and other Christian Socialists, it also set out to foster an "open platform" for intellectual debate by, for the first time in a mainstream periodical, 39 ELT 48 : 1 insisting Access options available:.

Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.

from 'The Renaissance' by Walter Pater

Built on the Johns Hopkins University Campus. But it grows young again for a while in almost every youthful soul. It is spoken of sometimes as the appropriate utterance of jaded men; but in them it can hardly be sincere, or, by the nature of the case, an enthusiasm. The youthful enthusiasm or fanaticism, the self- abandonment to one favourite mode of thought or taste, which occurs, quite naturally, at the outset of every really vigorous intellectual career, finds its special opportunity in a theory such as that so carefully put together by Marius, just because it seems to call on one to make the sacrifice, accompanied by a vivid sensation of power and will, of what others value—sacrifice of some conviction, or doctrine, or supposed first principle—for the sake of that clear-eyed intellectual consistency, which is like spotless bodily cleanliness, or scrupulous personal honour, and has itself for the mind of the youthful student, when he first comes to appreciate it, the fascination of an ideal.

He discovers a great new poem every spring, with a hundred delightful things he too has felt, but [16] which have never been expressed, or at least never so truly, before.


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The workshops of the artists, who can select and set before us what is really most distinguished in visible life, are open to him. He thinks that the old Platonic, or the new Baconian philosophy, has been better explained than by the authors themselves, or with some striking original development, this very month. In the quiet heat of early summer, on the dusty gold morning, the music comes, louder at intervals, above the hum of voices from some neighbouring church, among the flowering trees, valued now, perhaps, only for the poetically rapt faces among priests or worshippers, or the mere skill and eloquence, it may be, of its preachers of faith and righteousness.

In his scrupulous idealism, indeed, he too feels himself to be something of a priest, and that devotion of his days to the contemplation of what is beautiful, a sort of perpetual religious service.

THE END OF VOLUME II

Afar off, how many fair cities and delicate sea-coasts await him! At that age, with minds of a certain constitution, no very choice or exceptional circumstances are needed to provoke an enthusiasm something like this. When the thought of it does occur to him, he may say to himself:—Well!

For it is by its exclusiveness, and by negation rather than positively, that such theories fail to satisfy us permanently; and what they really need for their correction, is the complementary influence of some greater system, in which they may find their due place.

Marius the Epicurean — Volume 1 by Walter Pater

Cynicism and Cyrenaicism:—they are the earlier Greek forms of Roman Stoicism and Epicureanism, and in that world of old Greek [20] thought, we may notice with some surprise that, in a little while, the nobler form of Cyrenaicism—Cyrenaicism cured of its faults—met the nobler form of Cynicism half-way.

Starting from opposed points, they merged, each in its most refined form, in a single ideal of temperance or moderation. Something of the same kind may be noticed regarding some later phases of Cyrenaic theory. If it starts with considerations opposed to the religious temper, which the religious temper holds it a duty to repress, it is like it, nevertheless, and very unlike any lower development of temper, in its stress and earnestness, its serious application to the pursuit of a very unworldly type of perfection.

The saint, and the Cyrenaic lover of beauty, it may be thought, would at least understand each other better than either would understand the mere man of the world. Carry their respective positions a point further, shift the terms a little, and they might actually touch. Perhaps all theories of practice tend, as they rise to their best, as understood by their worthiest representatives, to identification with each other.

And Cyrenaicism or Epicureanism too, new or old, may be noticed, in proportion to the completeness of its development, to approach, as to the nobler form of Cynicism, so also to the more nobly developed phases of the old, or traditional morality. In the gravity of its conception of life, in its pursuit after nothing less than a perfection, in its apprehension of the value of time—the passion and the seriousness which are like a consecration—la passion et le serieux qui consacrent—it may be conceived, as regards its main drift, to be not so much opposed to the old morality, as an exaggeration of one special motive in it.

Some cramping, narrowing, costly preference of one part of his own nature, and of the nature of things, to another, Marius seemed to have detected in himself, meantime,—in himself, as also in those old masters of the Cyrenaic philosophy. In their unfriendly, repellent attitude towards the Greek religion, and the old Greek morality, surely, they had been but faulty economists.


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The Greek religion was then alive: then, still more than in its later day of dissolution, the higher view of it was possible, even for the philosopher. Its story made little or no demand for a reasoned or formal acceptance. Yet those beautiful gods, with the whole round of their poetic worship, the school of Cyrene definitely renounced.

The merely aesthetic sense might have had a legitimate satisfaction in the spectacle of that fair order of choice manners, in those attractive conventions, enveloping, so gracefully, the whole of life, insuring some sweetness, some security at least against offence, in the intercourse of the world. Beyond an obvious utility, it could claim, indeed but custom—use-and-wont, as we say—for its sanction.

But then, one of the advantages of that liberty of spirit among the Cyrenaics in which, through theory, they had become dead to theory, so that all theory, as such, was really indifferent to them, and indeed nothing valuable but in its tangible ministration to life was precisely this, that it gave them free play in using as their ministers or servants, things which, to the uninitiated, must be masters or nothing. That this was in the range of their consequences—that this was a possible, if remote, deduction from the premisses of the discreet Aristippus—was surely an inconsistency in a thinker who professed above all things an economy of the moments of life.

The spectacle of their fierce, exclusive, tenacious hold on their own narrow apprehension, makes one think of a picture with no relief, no soft shadows nor breadth of space, or of a drama without proportionate repose. Yet it was of perfection that Marius to return to him again from his masters, his intellectual heirs had been really thinking all the time: a narrow perfection it might be objected, the perfection of but one part of his nature—his capacities of feeling, of exquisite physical impressions, of an imaginative sympathy—but still, a true perfection of those capacities, wrought out [25] to their utmost degree, admirable enough in its way.

With the brevity of that sum of years his mind is exceptionally impressed; and this purpose makes him no frivolous dilettante, but graver than other men: his scheme is not that of a trifler, but rather of one who gives a meaning of his own, yet a very real one, to those old words—Let us work while it is day! He has a strong apprehension, also, of the beauty of the visible things around him; their fading, momentary, graces and attractions.

His natural susceptibility in this direction, enlarged by experience, seems to demand of him an almost exclusive pre-occupation with the aspects of things; with their aesthetic character, as it is called—their revelations to the eye and the imagination: not so much because those aspects of them yield him the largest amount of enjoyment, as because to be occupied, in this way, with the aesthetic or imaginative side of things, is to be in real contact with those elements of his own nature, and of theirs, which, for him at [26] least, are matter of the most real kind of appre-hension.

As other men are concentrated upon truths of number, for instance, or on business, or it may be on the pleasures of appetite, so he is wholly bent on living in that full stream of refined sensation. And in the prosecution of this love of beauty, he claims an entire personal liberty, liberty of heart and mind, liberty, above all, from what may seem conventional answers to first questions. The mere sense that one belongs to a system—an imperial system or organisation—has, in itself, the expanding power of a great experience; as some have felt who have been admitted from narrower sects into the communion of the catholic church; or as the old Roman citizen felt.

It is, we might fancy, what the coming into possession of a very widely spoken language might be, with a great literature, which is also [27] the speech of the people we have to live among. A wonderful order, actually in possession of human life! In the apprehension of that, just then, Marius seemed to have joined company once more with his own old self; to have overtaken on the road the pilgrim who had come to Rome, with absolute sincerity, on the search for perfection.

It defined not so much a change of practice, as of sympathy—a new departure, an expansion, of sympathy. The authority they exercised was like that of classic taste—an influence so subtle, yet so real, as defining the loyalty of the scholar; or of some beautiful and venerable ritual, in which every observance is become spontaneous and almost mechanical, yet is found, [28] the more carefully one considers it, to have a reasonable significance and a natural history.

Marius the Epicurean | Essays in Criticism | Oxford Academic

And Marius saw that he would be but an inconsistent Cyrenaic, mistaken in his estimate of values, of loss and gain, and untrue to the well-considered economy of life which he had brought with him to Rome—that some drops of the great cup would fall to the ground—if he did not make that concession, if he did but remain just there. Illusively repressed just now, those confused movements along the northern boundary of the Empire were destined to unite triumphantly at last, in the barbarism, which, powerless to destroy the Christian church, was yet to suppress for a time the achieved culture of the pagan world.

The kingdom of Christ was to grow up in a somewhat false alienation from the light and beauty of the kingdom of nature, of the natural man, with a partly mistaken tradition concerning it, and an incapacity, as it might almost seem at times, for eventual reconciliation thereto. Meantime Italy had armed itself once more, in haste, and the imperial brothers set forth for the Alps. Travelling fraternally in the same litter with Aurelius, Lucius Verus was struck with sudden and mysterious disease, and died as he hastened back to Rome.

His death awoke a swarm of sinister rumours, to settle on Lucilla, jealous, it was said, of Fabia her sister, perhaps of Faustina—on Faustina herself, who had accompanied the imperial progress, and was anxious now to hide a crime of her own—even on the elder brother, who, beforehand with the treasonable designs of his colleague, should have helped him at supper to a favourite morsel, cut with a knife poisoned ingeniously on one side only. Aurelius, certainly, with sincere distress, his long irritations, so dutifully concealed or repressed, turning now into a single feeling of regret for the human creature, carried the remains back to Rome, and demanded of the Senate a public funeral, with a decree for the apotheosis, or canonisation, of the dead.

For three days the body lay in state in the Forum, enclosed in an open coffin of cedar-wood, on a bed of ivory and gold, in the centre of a sort of temporary chapel, representing the temple of his patroness Venus Genetrix. Armed soldiers kept watch around it, while choirs of select voices relieved one another in the chanting of hymns or monologues from the great tragedians.

Like all the rest of Rome, Marius went to gaze on the face he had seen last scarcely disguised under the hood of a travelling-dress, as the wearer hurried, at night-fall, along one of the streets below the palace, to some amorous appointment. Unfamiliar as he still was with dead faces, he was taken by surprise, and touched far beyond what he had reckoned on, by the piteous change there; even the skill of Galen having been not wholly successful in the process of embalming.


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  7. It was as if a brother of his own were lying low before him, with that meek and helpless expression it would have been a sacrilege to treat rudely. Meantime, in the centre of the Campus Martius, within the grove of poplars which enclosed the space where the body of Augustus had been burnt, the great funeral pyre, stuffed with shavings of various aromatic woods, was built up in many stages, separated from each other by a light entablature of woodwork, and adorned abundantly with carved and tapestried images.

    Upon this pyramidal or flame-shaped structure lay the corpse, hidden now under a mountain of flowers and incense brought by the women, who from the first had had their fondness for the wanton graces of the deceased. The dead body was surmounted by a waxen effigy of great size, arrayed in the triumphal ornaments. The actual gathering of the ashes in a white cere-cloth by the widowed Lucilla, when the last flicker had been extinguished by drops of wine; and the conveyance of them to the little cell, already populous, in the central mass of the sepulchre of Hadrian, still in all the splendour of its statued colonnades, were a matter of private or domestic duty; after the due accomplishment of which Aurelius was at [33] liberty to retire for a time into the privacy o his beloved apartments of the Palatine.

    And hither, not long afterwards, Marius was summoned a second time, to receive from the imperial hands the great pile of Manuscripts it would be his business to revise and arrange. One year had passed since his first visit to the palace; and as he climbed the stairs to-day, the great cypresses rocked against the sunless sky, like living creatures in pain.

    He had to traverse a long subterranean gallery, once a secret entrance to the imperial apartments, and in our own day, amid the ruin of all around it, as smooth and fresh as if the carpets were but just removed from its floor after the return of the emperor from the shows. It was here, on such an occasion, that the emperor Caligula, at the age of twenty- nine, had come by his end, the assassins gliding along it as he lingered a few moments longer to watch the movements of a party of noble youths at their exercise in the courtyard below.

    Marius the Epicurean — Volume 1

    As Marius waited, a second time, in that little red room in the house of the chief chamberlain, curious to look once more upon its painted walls—the very place whither the assassins were said to have turned for refuge after the murder—he could all but see the figure, which in its surrounding light and darkness seemed to him the most melancholy in the entire history of Rome. Popular hatred had been careful to destroy its semblance wherever it was to be found; but one bust, in dark bronze- like basalt of a wonderful perfection of finish, preserved in the museum of the Capitol, may have seemed to some visitors there perhaps the finest extant relic of Roman art.

    Had the very seal of empire upon those sombre brows, reflected from his mirror, suggested his insane attempt upon the liberties, the dignity of men? The like of this: or, some incredible, surely never to be realised, height of disinterestedness, in a king who should be the servant of all, quite at the other extreme of the practical dilemma involved in such a position.

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    Not till some while after his death had the body been decently interred by the piety of the sisters he had driven into exile. Fraternity [35] of feeling had been no invariable feature in the incidents of Roman story. One long Vicus Sceleratus, from its first dim foundation in fraternal quarrel on the morrow of a common deliverance so touching—had not almost every step in it some gloomy memory of unnatural violence?

    If in truth the religion of Rome was everywhere in it, like that perfume of the funeral incense still upon the air, so also was the memory of crime prompted by a hypocritical cruelty, down to the erring, or not erring, Vesta calmly buried alive there, only eighty years ago, under Domitian. It was with a sense of relief that Marius found himself in the presence of Aurelius, whose gesture of friendly intelligence, as he entered, raised a smile at the gloomy train of his own thoughts just then, although since his first visit to the palace a great change had passed over it.

    avion-ltd.ru/mambots/cell/2297-recherche-ordinateur.html The clear daylight found its way now into empty rooms. To raise funds for the war, Aurelius, his luxurious brother being no more, had determined to sell by auction the accumulated treasures of the imperial household. In such wise had Aurelius come to the condition of philosophic detachment he had affected as a boy, hardly persuaded to wear warm clothing, or to sleep in more luxurious manner than on the bare floor. But, in his empty house, the man of mind, who had always made so much of the pleasures of philosophic contemplation, felt freer in thought than ever.

    In fact, he was seeking strength for himself, in his own way, before he started for that ambiguous earthly warfare [37] which was to occupy the remainder of his life. From him in fact Cornelius Fronto, in his late discourse, had borrowed the expression; and he certainly meant by it more than the whole commonwealth of Rome, in any idealisation of it, however sublime.

    Incorporate somehow with the actual city whose goodly stones were lying beneath his gaze, it was also implicate in that reasonable constitution of nature, by devout contemplation of which it is possible for man to associate himself to the consciousness of God.

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